“Country-soul rejects no useful tool in its arsenal of dark expression – in the house of Johnny Dowd, drum machines and punk guitar tear the place apart, and story puts things back together, even if there are cracks left in the walls from all the ruckus. Find Johnny in the Cabaret Hall on Saturday at 9pm.”
WASHINGTON, DC – NOVEMBER 9, 2017: Johnny Dowd performs at Hill Country Live in Washington, DC opening for Pere Ubu. (Photo by Richie Downs)
The new record is coming along swimmingly. I guess if I were to put it in a genre, it would be Alt Country/Roots Rock/Americana, etc. They’re the kind of tunes I was writing 20 years ago. Mike Edmondson plays some great rock and roll guitar, and the icing on the cake is the return of Kim Sherwood Caso, singing better than ever. Still some work to do, but this may be a breakthrough album. Grammys, here I come.
“on the final leg of super fun euro tour–i want to thank all the peeps who came to the shows–it was blast playing for you–also thanks to melle and suze–u were/are incredible–and to joost who kept the whole machine running–and course mike who played like a demon—special thanks to kat dalton–without her there would be no johnny tours or music career–and to to dave hinkle who keeps zolar moving co. going—and to jenifer edmondson-[ace blogger and merch salesman]”
Check out Melle’s blog for his behind the scenes take on the Feeling Bad tour and Johnny Dowd.. You’ll have to scroll to get to the tour,because Melle is a busy,creative guy, so I suggest you read from the top and see what he and Suzanne are up to these days. Here’s some excerpts to whet your appetite:
After the uncomfortable handshake, the Americans are in the car. John and Mike. With bags so big that there might be more Americans. It just fits.
I drive a bit. John sees a truck on the way. For piano transport. He knows that moving pianos in the Netherlands is difficult. Those narrow stairs in those high houses. Pianos need to go outside the houses around the houses. Mike knows that Dutch houses sometimes have hooks where they can lift pianos.
I finally know the way again. And bring them to their temporary home. It is a nice house.
In the evening we practice in the attic of their house.
We are going through songs.
Wreck on the Highway
Clementine (I think I think the best sentence in a song is)
Worried man blues
Tom Dooley (That sang my father and he taught me guitar)
And another one I now forgotten.
Singing together twinned and everything that goes wrong is much nicer than what sounds good.
On to the Altstad in Eindhoven!
A bit of a cunt photo, but my phone fell out and was not possible again.
On a sign it says that it is one of the oldest Christian settlements in Europe. It is a beautiful, London church where we play. Out of stock. On a Monday night. That’s because of johnny. Suus and me see them for the first time. Almost all my CDs have been sold afterwards. So many enthusiastic people, that I’m going to think something is wrong. It is a great experience.
Afterwards the after party in the hotel room of Johnny and Mike.
Amy Rigby has made a life out of writing and singing about life. With bands Last Roundup and the Shams in eighties NYC East Village to her solo debut Diary Of A Mod Housewife out of nineties Williamsburg; through a songwriting career in 2000s Nashville and during the past decade with duo partner Wreckless Eric, she’s released records on visionary independent labels Rounder, Matador, Signature Sounds and reborn Stiff Records as well as her and Eric’s own Southern Domestic Recordings. The Old Guys, her first solo album in a dozen years, measures the weight of heroes, home; family, friends and time. Philip Roth and Bob Dylan, CD/cassette players, touring, the wisdom of age and Walter White, groupies, Robert Altman, egg creams and mentors are paid tribute. Twelve songs written by Amy and recorded by Wreckless Eric in upstate New York, The Old Guys is the sound of a good girl grown up, never giving up
American alternative country musician. Born 29 March 1948 in Fort Worth, Texas, USA.
Previous band Neon Baptist disbanded in 1995, and Dowd was recording songs alone in the office of his Zolar Moving Co, songs that first appeared in 1995 on the cassette album Wrong Side Of Memphis, crediting Dowd as a solo artist, featuring Kim Sherwood-Caso on two instances of background vocals. Most of tracks were re-mixed or re-recorded for the CD version of the album, which was initially pressed as a self-released CD and then officially released on the European label Munich Records and the Chicago-based Checkered Past label.