ARTIST SPOTLIGHT: Just like it wouldn’t be the 4th of July without fireworks, it wouldn’t be a tribute to Ithaca music without Johnny Dowd! Teaming up with family members and bandmates from Neon Baptist to the present including Michael Edmondson, Jennifer Edmondson, and Ben Vanderberg to bring us songs by Bobby Comstock and the Counts, The Trailer Parks, King Harvest, and a couple of surprises.
Mike shares, “We’ve chosen a pretty mixed bag even going back to the Ithaca of the 1950s. A lot of local folks may not know about Ithaca’s own Bobby Comstock and The Counts. They were trailblazers and super hip in the early Rock and Roll days.”
Something old, something new, in Downtown Ithaca concert series
July 4, 2017 by Rachel Cera in 14850 Magazine
Something new this week for the CFCU Summer Concert Series in Downtown Ithaca. This Thursday features local musicians covering the classic music of local musicians! The “We’ve Got You Covered” show is hosted by the Cosmic Joke Collective.
CJC organizer Mickie Quinn says the collaborative live performance series, with monthly events upstairs at Lot 10, is an Ithaca outcropping of a monthly artists’ salon formed in New York City in 1999. It’s been running at the downtown bar for nearly three years. Last month, a series of Cosmic Joke Collective performers covered the entire “Sgt. Pepper’s Lonely Hearts Club Band”to mark the album’s 50th anniversary.
A concert at the Bernie Milton Pavilion on the Downtown Ithaca Commons. 14850 file photo.
This time around, CJC performers like Johnny Dowd, Jennifer Edmonson, Jennie Lowe, Vee Da Bee, Chris Bedell, Jen Cork, McKenzie Jones, Mandy Goldman, Samuel B. Lupowitz, and Dan Collins will be playing a musical tribute to other local musicians!
The free show is Thursday, July 6 at the Bernie Milton Pavilion on the Ithaca Commons from 6-8pm as part of the CFCU-sponsored concert series organized by the Downtown Ithaca Alliance. As always, beer and wine will be available for sale with ID, and if you buy a reusable cup for a buck, or buy a refill in your reusable cup, you’ll get a ticket in a drawing for a CFCU gift card at the end of the summer.
Which classic tunes from local musicians will be featured in the “We’ve Got You Covered” show? No one’s saying! Better come check it out.
– HCTF reviews Execute American Folklore
Johnny Dowd (born March 29, 1948 in Fort Worth, Texas) is an American alternative country musician. Typical of his style are experimental, noisy breaks in his songs and strong gothic (in the sense of dark and gloomy) elements in the lyrics as well as in the music. There is also a strong undercurrent of black humor and the absurd in his work.
He currently resides in Ithaca, NY.
Although his early albums were most celebrated in the alternative country community, he has never quite fit into any particular genre.
We have previously only seen Johnny Dowd at the Fingerlakes Grassroots Music Festival in New York, & we are looking forward to welcoming him to The Bunker for what will be a rare and exciting opportunity to see this audacious, rockabilly-punk, poet-songster in an intimate house concert format. He will be accompanied by his former Neon Baptist bandmate, Mike Edmondson, on keyboards.
“Sometimes music shouldn’t be easy, and instead should be mysterious, idiosyncratic and the work of a true maverick. So we should welcome the arrival of a new Johnny Dowd album. . . . Never a man to run from the truth, if there was any justice, this guy would be a legend.“ — Acoustic Magazine (UK)
“Gonzo hell-bound music from a true original.” —Andy Fyfe, Q Magazine
Details: 848 Walnut Drive., Ellwood City, PA
Doors open at 6:30 for a pot luck dinner (food contributions are welcome but not mandatory) followed by music at 8 pm
*Please help to spread the word about this event by inviting your music-loving friends!!
Hope to see you on March 11!
Johnny Dowd je čovjek koji spada među one rijetke kantautore što unatoč eklektičnom i neuobičajenom stilu ipak zadržavaju svoj nativni identitet, a rezultat sukoba tradicionalnog i modernističkog jest jedan od najoriginalnijih izričaja u suvremenoj glazbi.
Johnny Dowd je rođen 29. ožujka 1948. u Forth Worthu, Texas. Tako započinje praktički svaki tekst kojemu je cilj ukratko ili poduže proanalizirati život i stvaralaštvo dotične persone. No, navikli ste na pomaknutu strukturu ovih ‘najava’, i znate da autoru napisa nipošto nije cilj prepisivati sa wikipedije, niti iznositi općepoznate kronološke činjenice ionako dostupne u relevantnoj literaturi, tek uz napomenu kako su česte poredbe s Waitsom i Caveom apsurdne koliko i Dowdovi stihovi. Pokušajmo onda krenuti od geografske odrednice.
Već i ptice na grani znaju da je savezna država Texas zadnjih desetljeća iznjedrila ponajbolje američke kantautore; od Townesa Van Zandta, Willie Nelsona i Krisa Kristoffersona, preko Guy Clarka, Steve Earlea, Lyle Lovetta, Rodney Crowella, Jimmy Dale Gilmorea, Roberta Earla Keena, Billy Joe Shavera, pa do Scotta H. Birama i Justina Townesa Earlea – da spomenemo tek neke elemente te bogate lepeze.
No, ime Johnnyja Dowda se vrlo rijetko spominje u tom zemljopisnom kontekstu. Razlog tomu dijelom (no, uskoro ćete shvatiti – tek dijelom!) jest činjenica da je dotični još u djetinjstvu započeo onaj sveamerički proces mijenjanja lokacija i saveznih država – između ostalog, do pete je godine života već živio u Tennesseeju i Oklahomi. Neko je vrijeme boravio i u Kaliforniji, a u Memphis se vraća 1965., nakon razvoda roditelja, a te da bi se na koncu skrasio u gradiću Ithaca, New York.
Srećom, stara poslovica kaže da možeš potjerati stvorenje iz Texasa, ali nikad iz njega u potpunosti izbiti, istjerati taj čudnovati duh kojeg teksašani upiju rođenjem. Rekli bi pravnici, Iur Sole – pravo rodnog Sunca! Ipak, Johnny Dowd se po nečemu bitno razlikuje od imena navedenih na početku teksta.
Svi su oni, naime, stvorili prepoznatljiv stil temeljen na folku, countryju, bluesu ili pak kombinacijama navedenih utjecaja u varijabilnim omjerima. To se u određenom može reći i za Johnnyja Dowda, konkretno za njegovu ranu fazu, kada je djelovao unutar sastava Jokers s početka osamdesetih, te Neon Baptist ranih devedesetih. No, Wrong Side of Memphis (1997.), prvi uistinu samostalni album, odnosno rad koji je sada potpisan isključivo imenom Johnny Dowd donosi poprlilično drugačiju zvučnu sliku. Kompozicije izlaze iz očekivanih okvira često balansirajući na rubu prihvatljivosti, barem kada je o tradicionalnim okvirima riječ. Dowdova je nastupna ploča prožeta mračnom tematikom tipičnog southern gothica, i potpisnika ovih redaka podsjeća na Williama Faulknera u luđačkoj košulji. Može i ovako – zamislite da se radnja romana To Kill a Mockingbird spisateljice Harper Lee odvija u paralelnom svemiru gdje američki Jug utjelovljuje nekoliko zadnjih krugova pakla, i gdje Scout u naletu ludila spaljuje Boo Radleyja u krušnoj peći… jeste li vizualizurali? Onda vjerojatno polako naslućujete ambijent ‘pogrešne strane Memphisa’. Nižu se balade o ubojstvima, griješnicima i prokletstvu: Welcome Jesus, John Deere Yeller, Idle Conversation, Ft. Worth; Texas, Ballad of Frank and Jessee James, Papa Oh Papa…, skladbe tek prividno odjevene u klasično folk/country ruho, jer sama struktura pjesama u simbiozi sa neortodoksnim izborom instrumenata – sintetizator, između ostalih – kreira sasvim neočekivan i isčašen doživljaj. Možda je opus kantautora Jima Whitea, koji djelovanje započinje otprilike u isto vrijeme (i s kojim će Dowd 2006. ostvariti suradnju na projektu Hellwood) najbliža poredba?
Ovo definitivno stoji, jer štoviše, Dowd će odigrati bitnu rolu u dokumentarcu Searching for a Wrong-Eyed Jesus, nadrealnoj priči o američkom Jugu koja je 2003. nastala kao plod suradnje scenarista Steve Haismana i redatelja Andrewa Douglasa, a po motivima Whiteova albuma Mysterious Tale of how I shouted Wrong-Eyed Jesus. Scena u brijačnici je doslovice antologijska, kao i Dowdova izvedba pjesme Murder, sirovog dvoakordnog bluesa kojeg Johnny izvodi pod sivim nebom na groblju automobila.
Ukoliko je Wrong Side of Memphis najavio Dowdovu samostalnu karijeru, predstavivši već poznatog autora u novom, prigušenijem svjetlu, album Pictures from the Life’s other Side ide korak dalje. Ovdje Johnny već okuplja prateći sastav, koji ga uz određene iznimke prati i dan danas (primjerice na trenutačnoj europskoj turneji koja, očekivano, zaobilazi morlačke krajeve), što mu omogućuje daljnja eksperimentiranja u zvuku. Iskreno, jeste li sposobni predočiti teksaškog kantautora čije se kompozicije mogu obilježiti jazz festivale, ili se pak provući kroz tipičnu funky, pa i hip-hop DJ listu, svejedno ostajući u nativnoj folk domeni?
Albumi koji se nižu čitav novi milenij (spomenimo tek Temporary Shelter, Pawnbroker’s Wife i Cemetry Shoes), zaključno sa dva zasad posljednja koji se taman promoviraju u našem sjevernom susjedstvu (No Regrets i Do the Gargon) možda i ne donose nekakav primjetan napredak u odnosu na očekivani Dowdov zvuk, no to i nije nešto čemu bi trebalo prigovoriti, pošto je njegov opus u cijelosti već pomaknut iz songwriterskog mainstreama. Istina, na pojedinim se ostvarenjima Johnny u određenoj mjeri vraća klasičnom izričaju (klasičnom u smislu kompatibilnosti s ljudima čija imena, ponavljam, bodu oči na početku ovog napisa), no to su rijetki trenuci opuštanja, pošto će se on već narednim albumom vratiti u vlastite vode spajanja naizgled nespojivog.
O Dowdu ne treba pisati litanije, pošto je njegov štih potrebno (i jedino moguće) doživjeti slušnim čulom. Stoga se, štovani slušatelji, udostojite preslušati mali, dvosatni izbor iz opusa ovog vrhunskog i neobičnog kantautora, jer ćete samo tako biti u stanju donijeti osobni objektivni sud. A Dowdov je opus itekako vrijedan temeljitog preslušavanja, posebno ukoliko spadate u skupinu puritanaca koji s prezirom i gnušanjem gledaju na suživot tradicionalnog i eksperimentalnog. Jer, u tom bi slučaju Johnnyjeve skladbe mogle na Vas djelovati iscjeliteljski i prosvjetiteljski!
24/02/2017 autor: Vjeran Stojanac
Johnny Dowd is a man who is one of those rare songwriter that despite the eclectic and unusual style still retain their native identity, a result of the conflict of traditional and modernist is one of the most original expressions in contemporary music.
Johnny Dowd was born on 29 March 1948 in Forth Worth, Texas. So begins practically every text aimed at short or lengthy analyze the life and creativity of the respective persona. Well, you’re used to the shifted structure of these ‘announcements’, and you know that the author of the inscription is by no means objective rewritten from wikipedia, or removed from the generally known chronological facts already available in the relevant literature, only noting that the frequent comparisons with Waits and Cave absurd as the Dowd verses. Then try to start from the geographical determinants.
Even the birds in the trees know that the state of Texas last decade has seen the best of American singer-songwriter; of Townes Van Zandt, Willie Nelson and Kris Kristofferson, over Guy Clark, Steve Earle, Lyle Lovett, Rodney Crowell, Jimmy Dale Gilmore, Robert Earl Keen, Billy Joe Shaver, to Scott H. Biram and Justin Townes Earle – to name only some elements of this rich array.
However, the name of Johnny Dowd is rarely mentioned in the geographic context. The reason for this part (well, you’ll soon realize – just part!) Is that it is concerned in childhood began the all-American process of changing locations and states – among other things, to the fifth year of life already lived in Tennessee and Oklahoma. For a while he lived in California, and Memphis returns in 1965, after his parents’ divorce, and this in order to end up settling in the town of Ithaca.
Fortunately, the old adage says that you can chase the creature from Texas, but never out of it completely knocked out, flush out the strange spirit that Texans are absorbed by birth. They said to the lawyers, Yur Sole – right gender of the Sun! However, Johnny Dowd at something essentially different from the names listed at the beginning of the text.
All of them, in fact, created a distinctive style based on folk music, of country, blues, or combinations of these influences in variable proportions. This is in particular can be said for Johnny Dowd, specifically for its early stage, when it acted within the band Jokers from the beginning of the eighties and early nineties Neon Baptist. But the Wrong Side of Memphis (1997), the first truly solo album, or work that is now signed exclusively named Johnny Dowd brings poprlilično different sound image. The compositions out of the expected framework often balancing on the edge of acceptability, at least in the traditional framework of the word. Dowd’s next board imbued with dark themes typical southern gothic, and the author of these lines reminiscent of William Faulkner in a straitjacket. Can this – imagine that the action of the novel To Kill a Mockingbird writer Harper Lee takes place in a parallel universe where the American South embodies the past few circles of hell, and where Scout coming madness burned Boo Radleyja in a baker’s oven … are you vizualizurali? Then slowly I suspect probably ambience ‘wrong side of Memphis. Lined with ballads of murder, sinners and a curse: Welcome Jesus, John Deere Yeller, Idle Conversation, Ft. Worth; Texas, Ballad of Frank and James Jessee, Papa Oh Papa …, tracks only seemed dressed in classic folk / country attire, because the very structure of the songs in symbiosis with unorthodox choice of instruments – synthesizer, among others – creates a completely unexpected and disjointed experience. Perhaps opus songwriter Jim White, who action begins around the same time (which is to Dowd 2006. collaborate on the project Hellwood) closest comparison?
This definitely stands, because in fact, Dowd will play an important role in the documentary Searching for the Wrong-Eyed Jesus, surreal tale of the American South, which in 2003 occurred as a result of the collaboration screenwriter Steve Haisman and director Andrew Douglas, but the motifs White’s album Mysterious Tale of how I shouted Wrong-Eyed Jesus. The scene in the barbershop is literally anthology, and Dowd rendition of Murder, raw dvoakordnog blues by Johnny performed under a gray sky in the cemetery car.
If the Wrong Side of Memphis announced Dowdovu solo career, presenting already known authors in the new, muted light, the album Pictures from Life’s Other Side goes a step further. Here Johnny already gathers backing band, who with certain exceptions monitors today (such as the current European tour, which, as expected, bypasses Morlacki regions), allowing it to further experimentation in sound. Honestly, are you able to visualize the Texas singer-songwriter whose compositions can celebrate jazz festivals, or they slip through the typical funky, and hip-hop DJ list, still remaining in the native folk domain?
Albums that can lower the entire new millennium (just to mention the Temporary Shelter, Pawnbroker’s Wife and Cemetry Shoes) ended with two for now last who just promote our northern neighborhood (No Regrets and Do the Gargon) may not bring a noticeable improvement over the expected Dowdov sound, but it’s not something we should complain, since his work as a whole has already shifted from songwriterskog mainstream. True, the individual achievements of the Johnny to some extent restores classic expression (a classic in terms of compatibility with people whose names, I repeat, stinging eyes at the beginning of this article), but these are rare moments of relaxation, as it will be on the next album already back in their own water connecting seemingly incompatible.
O Dowd does not need to write a litany, after his flair required (and only available) experience auditory sense. Therefore, honored listeners, deign to listen to a small, two-hour selection from the oeuvre of this excellent and unusual singer-songwriter, because only thus be able to make a personal objective court. A Dowdov work was well worth a thorough listening, especially if you belong to a group of Puritans who with contempt and disgust view the coexistence of traditional and experimental. Because, in this case Johnny’s songs could you act on healing and enlightenment!
– Translation by Google
Not Johnny Dowd exactly. In fact, not even remotely, but a good prelude to some fan fun we plan to post later…
Along with a host of stellar Ithaca musicians covering other stellar Ithaca musicians, former Neon Baptist members Jennifer (nee Dowd) & Mike Edmondson will be covering at least a few songs from the Neon Baptist CD at the next Cosmic Joke Collective show. Mike, of course, is a current JD band member, and Jennifer traveled with the That’s Your Wife tour in 2015.
In an ultimate celebration of our richly talented community, the performers of the Cosmic Joke Collective will be covering the music of local artists past and present on both January 21st and February 18th with two unique shows.
JANUARY 21st FEATURES THE TALENTS OF:
COVERING THE MUSIC OF:
Angie Beeler • The Blind Spots • Madder Rose • Anna Coogan • John Dowd • Crow Greenspun • Kitestring • Jennie Lowe Stearns • Will Musham • Alan Rose • and more!
6:30 Doors and Upstairs Bar Open
– JIM CATALANO, SOUNDOFF
The Cosmic Joke Collective, the monthly artist salon hosted by Mickie Quinn, will present “We’ve Got You Covered, Part 1” Saturday at Lot 10. Each show has a theme, and this one will feature several local artists paying tribute to some of their musical peers.
On the bill are Leon Arguello, Josh Dolan, Jif Edmondson and Mike Edmondson, Mandy Goldman and Sam Lupowitz, Jennie Lowe and Nate Richardson.
According to Quinn, the idea for this show came about when Jennifer Middaugh (Sim Redmond Band, Bronwen Exter, Mary Lorson) had the idea to do a set of songs by local artists she had performed with as a backup singer for a future Collective show. Quinn saw the potential for this to be a theme for a whole show and presented the idea to all of the performers.
“The response was overwhelming,” she said, “So overwhelming that I had enough interest and enthusiasm to turn it into two shows.” Part 2 will take place Feb. 18 at Lot 10.
“We immediately knew we wanted to do this show,” said Lupowitz and Goldman. “There’s such a vibrant array of local music in this town, and we’re both constantly inspired by it. So many great songwriters in such a small radius — it’s impossible not to want to cover their music. Plus, so many artists in Ithaca have been so receptive to us; it’s nice to pay tribute to them this way.”
“I am a musician, but first and foremost a lover of music,” Lowe added. “I was drawn to this town because I heard that it was musician friendly! My biggest heroes are some of my friends, and I want to honor them by singing their songs.”
Among those covered will be The Blind Spots, Alan Rose, Madder Rose, Johnny Dowd, Crow Greenspun, Angie Beeler, Anna Coogan and Joe Crookston.
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