Feeling Bad tour @ Kloveniersdoelen Feb. 11

Zondag 11 februari staat De Kloveniersdoelen in het teken van Amerikaanse Folk met Johnny Dowd en Melle de Boer. Johnny Dowd wordt één van de laatste echte Amerikaanse folkartiesten genoemd. Hoewel het moeilijk is een label op zijn muziek te plakken, wordt hij vaak vergeleken met Tom Waits, Nick Cave and the Bad Seeds en Captain Beefheart. Melle de Boer heeft de Amerikaanse countrystijl geadopteerd en er zijn eigen draai aan gegeven. Hier begon hij al mee in 1999 met zijn toenmalige band Smutfish. De Boer zal in 2018 een nieuw album uitbrengen. De muziek van beide heren staat bekend als diep emotioneel, zwartgallig en experimenteel. Het beloofd een heftig middagje te worden in Middelburg!

 – Original site

Sunday, February 11, De Kloveniersdoelen is dominated by American Folk with Johnny Dowd and Melle de Boer . Johnny Dowd is known as one of the last real American folk artists. Although it is difficult to stick a label to his music, he is often compared to Tom Waits, Nick Cave and the Bad Seeds and Captain Beefheart. Melle de Boer has adopted the American country style and has given it its own twist. Here he started in 1999 with his former band Smutfish. De Boer will release a new album in 2018. The music of both men is known as deeply emotional, bilious and experimental. It promises to be a violent afternoon in Middelburg!

 – Translation by Google


Johnny Dowd en Melle de Boer spelen op zondag 11 februari 2018 een concert in de Kloveniersdoelen. Amerikaanse traditionals: Johnny en Melle zullen ze bijna onherkenbaar brengen. Niet oubollig, maar zoals ze nu moeten klinken, actueel, vol orpziel, elektriciteit en noodzakelijkheid. Tickets: €12,-

Als twee mensen lang genoeg graven komen ze elkaar uiteindelijk tegen. Johnny Dowd en Melle de Boer graven al jaren tunnels in de menselijke ziel. Als Orpheusen dalen ze af in de onderwereld en nemen met gevaar voor eigen leven de mooiste dingen mee naar boven. Nu komen die tunnels samen.

Johnny Dowd

Johny Dowd wordt al tijden een van de laatst overgebleven échte folk-originals genoemd. ‘Dowd is misschien niet naar de vorm, maar wel naar de geest een late volgeling van de vooroorlogse blueszangers’ NRC 2001. Johnny Dowd (geboren 29 maart 1948 in Fort Worth, Texas) is een Amerikaanse alt country musicus uit Ithaca, New York. Typisch voor zijn stijl zijn experimentele, luidruchtige pauzes in zijn liedjes en sterke gotische (in de zin van duistere en sombere) elementen in de liedjes en in de muziek. Er is ook een sterke onderstroom van zwarte humor en het absurde in zijn werk. Als singer-songwriter wordt zijn muziek vergeleken met de muziek van Tom Waits, Nick Cave en Captain Beefheart.

Melle de Boer

Vanaf 2001 is Melle bezig met het duiden van zijn ‘Amerikaanse’ muziek. Zijn band Smutfish, opgericht in 1999, heeft sinds het debuutalbum ‘Lawnmower Mind’ een omvangrijk oeuvre opgebouwd en bij verschillende platenmaatschappijen 5 cd’s opgenomen. Door optredens op onder andere Noorderslag, SXSW in Austin, Texas, de Popkomm in Berlijn en het Reeperbahn festival in Hamburg, heeft de band veel getourd door Nederland en Europa. Ook noemenswaardig is de tour met Daniel Johnston in 2007 en 2008. In 2015 vond de release van het album “Trouble” plaats bij het toonaangevende Nederlandse label Excelsior Recordings. Melle brengt begin 2018 een nieuw solo-album uit.

Kaarten: € 12,- (te koop in boekhandel de Drvkkery en online via www.drukkerijmiddelburg.nl/tickets)

 – Original site

Johnny Dowd and Melle de Boer will perform a concert in the Kloveniersdoelen on Sunday 11 February 2018. American traditionals: Johnny and Melle will bring them almost unrecognizable. Not quaint, but as they should sound now, current, full of soul, electricity and necessity. Tickets: € 12, –

When two people dig long enough, they eventually meet each other. Johnny Dowd and Melle de Boer have been digging tunnels in the human soul for years. As Orpheusen they descend into the underworld and with danger to their own lives bring out the most beautiful things. Now those tunnels come together.

Johnny Dowd

Johny Dowd has been known as one of the last remaining real folk-originals. ‘Dowd may not be in the form, but in spirit a late follower of the pre-war blues singers’ NRC 2001. Johnny Dowd (born March 29, 1948 in Fort Worth, Texas) is an American alto country musician from Ithaca, New York. Typical for his style are experimental, noisy pauses in his songs and strong gothic (in the sense of dark and sombre) elements in the songs and in music. There is also a strong undercurrent of black humor and the absurdity in his work. As a singer-songwriter his music is compared with the music of Tom Waits, Nick Cave and Captain Beefheart.

Melle de Boer

Since 2001 Melle has been busy interpreting his ‘American’ music. His band Smutfish, founded in 1999, has built up an extensive body of work since the debut album ‘Lawnmower Mind’ and recorded 5 CDs at various record companies. Through performances at, among others, Noorderslag, SXSW in Austin, Texas, the Popkomm in Berlin and the Reeperbahn festival in Hamburg, the band has toured a lot through the Netherlands and Europe. Also noteworthy is the tour with Daniel Johnston in 2007 and 2008. In 2015 the release of the album “Trouble” took place at the leading Dutch label Excelsior Recordings. Melle will release a new solo album in early 2018.

 – Translation by Google


Johnny Dowd en Melle de Boer vormen een winnende combinatie

Als Melle de Boer en Johnny Dowd het podium van de kleine zaal betreden, hebben ze pas twee keer eerder samengespeeld op hun Going Down the Road Feeling Bad Tour. Ze vormen samen een gelegenheidscombinatie, maar wel een winnende. Uiteraard is de dwarse Amerikaan Dowd het hoofdprogramma en De Boer zijn support, maar aan het einde van de show gaan ze samen enkele traditionals zingen zoals Dowd die onlangs uitbracht op zijn album Twinkle, Twinkle. Verwacht het onverwachte, we kennen die Dowd zo langzamerhand wel. Niets zal zijn zoals het lijkt op papier.

Johnny Dowd and Melle de Boer are a winning combination

When Melle de Boer and Johnny Dowd entered the stage of the small hall  January 27, they have only played together twice before on their Going Down the Road Feeling Bad Tour. Together they form an occasional combination, but a winning one. Obviously, Dowd, the cross-country American, is the main program and De Boer is supporting, but at the end of the show they are going to sing some traditional songs like Dowd recently released on his album Twinkle, Twinkle. Expect the unexpected, we know that Dowd slowly. Nothing will be as it appears on paper.

Striking duo with double bill
When Sugar Mountain Melle de Boer speaks for some additional explanation, he has just finished his first joint show with Johnny Dowd. That took place in Altstadt in Eindhoven ‘Rock City’. “That was great,” he still enjoys. “It was the first time there for me.” What do we have to imagine at these duo shows? The combination of ‘Melle the easy’ and ‘Johnny the difficult’ alone is remarkable enough. And then we are not talking about their music, but rather about their reputations on the human level. How do those two come together, apart from the fact that Melle designed the artwork for Johnny’s previous album Execute American Folklore?

Experimental folk turned inside out
Before we let Melle answer that question, we go back to Monday, December 4, when colleague singer-songwriter Jim White performed at the same location. In one of his stories that evening, he said that his career and that of Johnny Dowd, whom he admired, always went more or less parallel. They both made their debut about the end of the nineties with a similarly turned-out experimental folk repertoire. When, in that period, after his own show at SXSW in Austin, Texas, he hurried to Dowd’s show and afterwards agreed to address him, he got the wind from the front. ‘Oh you’re that dude who is imitating me?’ He spoke viciously. At least it does not matter that Dowd is a difficult person. Or not?

Not difficult, but a strong appearance
Melle says that image laughing at: “No, he is not a difficult man to work with. But of course he has a very strong appearance. “The joint part of the show with squeaky and creaking electronic performances of well-known folk songs has not been studied before. “I’m not really into the rehearsal space, honestly,” Melle admits from whom the idea for this double bill comes. Let us tell you now how this went, and where the guts came from to ask the question. Melle stays very calm. “I just asked him if we could play together. He then replied: “That would be more fun than a barrel or monkeys.” I had to let those words work on me. Then I understood that that is his expression to say that it was good.”

For daredevils
Prepare yourself for the craziest. Some of those traditionals have been put in an absolutely unrecognizable jacket. It forms almost food for a fun pop quiz. In reality it is about modern interpretations of someone who understands the folk idiom better than anyone else. Melle de Boer happily assists Johnny Dowd on his quest for the ultimate renditions. That requires ears that can take a beating. But that is not asking too much? Not for purists. For daredevils!

Text by: Robbert Tilli

 – translation by Google

AD.nl on the Going Down the Road Feeling Bad Tour

Zielsverwanten met een donkere boodschap

Ze zingen allebei over de rafelranden van de samenleving: Melle de Boer en Johnny Dowd. Twee americana-artiesten van twee generaties en verschilende geboortegrond trekken samen op. Vanavond in het Paard in Den Haag.

Machiel Coehorst 

Johnny Dowd komt uit Ithaca, een slaperig universiteitsstadje in de staat New York. Hij had daar een transportbedrijfje en musiceerde wat in zijn vrije tijd. Totdat hij ontdekt werd door een platenbaas en op zijn 50ste zijn debuut maakte als singer-songwriter en vertolker van rauwe popcountry. Melle de Boer komt uit Delft/Den Haag, maakte furore met zijn bands Smutfish en John Dear Mowing Club en heeft net als Dowd een voorliefde voor de country noir. Ter ere van hun nieuwe albums maken de beide muzikanten een gezamenlijke tour en vanavond doen zij het Paard aan.

Ondanks het leeftijdsverschil (Melle de Boer is 45 jaar, Johnny Dowd bijna 70) worden de twee muzikanten gezien als zielsverwanten. De Boer kan zich vinden in die typering. ,,Ja, er zijn zeker raakvlakken tussen Johnny en mij. De muziek komt bij ons allebei uit dezelfde bron: De twijfel over alles, en de onderhuidse dingen die niet vaak worden uitgesproken.”

Het moge duidelijk zijn: voor een vrolijk avondje uit ben je bij de twee aan het verkeerde adres. Melle de Boer en Johnny Dowd hebben meer affiniteit met de donkere kanten van het leven. ,,We zoeken allebei de rafelranden op van de maatschappij. Onze teksten gaan over onderwerpen als eenzaamheid, het verschil tussen rijk en arm en de manier waarop mensen met elkaar omgaan.” Maar er is niet louter donkerte te vinden in hun muziek. ,,We proberen de donkere kant te verlichten,” zegt De Boer poëtisch. ,,Het publiek zingt ook volop mee met de Amerikaanse liedjes en er wordt ook veel gelachen.”


We proberen de donkere kant te verlichten

Melle de Boer

Het duo heeft net een tour door Engeland achter de rug. Voor De Boer was het een openbaring: ,,Ze kijken daar heel anders tegen muziek aan dan hier. In Nederland moet het vooral leuk en gezellig zijn. In Engeland luisteren ze echt naar de liedjes. Van ouds af aan bestaat er natuurlijk ook de traditie om samen naar muziek te luisteren, en er niet doorheen te kletsen.” Wel was hij enigszins nerveus bij aanvang van zijn eerste tour door Engeland: ,,Ik twijfelde over mijn Engels en wist niet of ik de teksten wel goed zou uitspreken. En dan sta je in zo’n volle zaal …” Maar de respons was bijzonder goed. ,,Ik heb zelden zoveel enthousiaste reacties ontvangen en er zijn meer cd’s verkocht dan ooit.”

Een voordeel was dat De Boer zijn Engelstalige teksten niet hoefde uit te leggen, zoals hij in Nederland gewoon is te doen. Zo projecteerde hij tijdens een optreden ooit zelfgemaakte tekeningen (De Boer is ook kunstenaar) op de achtergrond (‘Bij iedere zin een nieuwe tekening’). Een uitleg van zijn teksten was in Engeland niet nodig, toch? ,,Nou ja, ik was daar op een ongemakkelijke manier wel al mee begonnen, totdat ik besefte dat dat niet nodig was, ha ha.”

Even terug naar zijn samenwerking met Johnny Dowd. Wat spreekt De Boer het meest aan in de man die bekendstaat om zijn nogal eigenzinnige, soms ronduit ondoorgrondelijke muziek? ,,Zijn liedjes zijn soms best lastig ja. Het mooie aan hem vind ik dat hij nooit probeert te behagen.” De muziek van Johnny Dowd is niet alleen lastig te doorgronden, maar ook behoorlijk zwartgallig. ,,Toch is hij een opgewekte man hoor, ondanks al die heftige liedjes. Het was heel gezellig in de tourbus!”

 – Original article

Soulmates with a dark message
They both sing about the fringes of society: Melle de Boer and Johnny Dowd. Two americana artists of two generations and different birth grounds join together. Tonight in the Horse in The Hague.

Machiel Coehorst 08-02-18, 16:04

Johnny Dowd is from Ithaca, a sleepy university town in the state of New York. He had a transport company there and made music in his free time. Until he was discovered by a record manager and made his debut at the age of 50 as a singer-songwriter and interpreter of raw pop country. Melle de Boer is from Delft / The Hague, made a furore with his bands Smutfish and John Dear Mowing Club and, like Dowd, has a predilection for the country noir. In honor of their new albums the two musicians make a joint tour and tonight they do the Horse.

Despite the age difference (Melle de Boer is 45 years, Johnny Dowd almost 70) the two musicians are seen as soul mates. De Boer can agree with this typing. “Yes, there are certainly similarities between Johnny and me. The music comes to us both from the same source: The doubt about everything, and the subcutaneous things that are not often spoken. ”

It should be clear: for a cheerful night out you are at the wrong address. Melle de Boer and Johnny Dowd have more affinity with the dark sides of life. ,, We both seek out the frail edges of society. Our texts deal with topics such as loneliness, the difference between rich and poor and the way in which people interact with each other. “” But there is no mere darkness in their music. ,, We try to lighten the dark side, ” De Boer says poetically. ,, The audience is also singing along with the American songs and there is also a lot of laughter. ”

We try to illuminate the dark side, Melle de Boer
The duo has just finished a tour through England. For De Boer it was a revelation: “They look at music very differently than here. In the Netherlands it must be fun and cozy. In England they really listen to the songs. From time immemorial there is of course also the tradition to listen to music together, and not to chat through it. ” He was a bit nervous at the start of his first tour through England: ‘I doubted my English and did not know whether I would pronounce the lyrics correctly. And then you’re in such a crowded room … “” But the response was very good. ,, I have rarely received so many enthusiastic reactions and more CDs have been sold than ever. ”

One advantage was that De Boer did not have to explain his English-language texts, as he is used to doing in the Netherlands. For instance, during a performance he once projected self-made drawings (De Boer is also an artist) in the background (‘With every sentence a new drawing’). An explanation of his texts was not necessary in England, right? ,, Well, I had already started in an uncomfortable way, until I realized that it was not necessary, ha ha. ”

Back to his collaboration with Johnny Dowd. What appeals to De Boer most in the man who is known for his rather quirky, sometimes utterly inscrutable music? ,, His songs are sometimes quite difficult yes. The beauty of him is that he never tries to please. “” The music of Johnny Dowd is not only difficult to fathom, but also very ungraceful. “Still, he is a cheerful man, despite all those heavy songs. It was very nice in the tour bus! ”

 – Translation by Google

Written In Music reviews Twinkle Twinkle


 Door Cis van Looy op 11 januari 2018

Execute American Folklore was al niet het meest toegankelijke werk, van de eigenzinnige uit Ithaca, met Twinkle Twinkle neemt Johnny Dowd de warrige draad van de voorganger op. Vanaf de openingstune Execute American Flokore, Again een wordt de luisteraar met een elektronische brij met daarbovenop het ondertussen vertrouwde, gegromde parlando geconfronteerd, regelmatig komt de ijle zang van Anne Coogan daarbij. Met uitzondering van het titelnummer zorgde Dowd met enige hulp van Michael Edmondson uitsluitend voor ‘de muziek’.

Hij nadert ondertussen de zeventig maar zijn experimenteerdrift is geenszins  getemperd. Alom bekende singalong tunes uit het grote Amerikaanse songbook worden met synthesizers en primitieve elektronische instrumentatie in, op het eerste gehoor vormeloze, hallucinante klanktapijten getransformeerd.

Het zijn niet bepaald de mooiste klanktaferelen, meestal ontaarden de traditionals, enkel herkenbaar door de vertrouwde tekstflarden, in een beangstigde soundtrack die wellicht niet alleen puristisch georiënteerde luisteraars de gordijnen injaagt en vrij snel doet afhaken. Als je het even langer volhoudt ontdek je Trouble in Mind. Dat nummer passeert hier op een logge beatbox structuur, ongetwijfeld de meest opmerkelijke versie van de niet alleen in jazz en blues milieus tot klassieker uitgegroeide song die pianist Richard M.Jones in de vroege jaren twintig van vorige eeuw componeerde.

Met Red River Valley wordt nog een oudere folktune in een bizarre rocker getransformeerd. Het duurt even voor in de grillige structuren St James Infarmary Blues of Jon The Revelator ontdekken. Met de macabere spoken word versie van The House Of The Rising Sun en My Darling Clementine verloopt dat vlotter.

Het beluisteren van deze langspeler is geen gemakkelijke opgave, we vermoeden dat vooral Dowd zichzelf amuseerde tijdens de opnamesessies. Ongetwijfeld enkel geschikt voor avontuurlijk ingestelde adepten in een nooit voltooide zoektocht naar curiositeiten. Muzikale amateurs die aan dat profiel beantwoorden komen ongetwijfeld aan hun trekken op de komende tournee met Melle de Boer.

Tracklisting Twinkle, Twinkle:

  1. Execute, American Folklore, Again
  2. Twinkle, Twinkle, Litter Sister
  3. The Cuckoo
  4. Trouble In Mind
  5. Going Down  The Road Feeling Bad
  6. St.James Infirmary Blues
  7. Red River Valley
  8. Rock Of Ages
  9. John The Revelator
  10. Tom Dooley
  11. House Of The Rising Sun
  12. Oh, My Darling Clementine
  13. Job 17: 11-17

Foto: Kat Dalton

 – Original Site

Execute American Folklore was not the most accessible work, from the idiosyncratic from Ithaca, with Twinkle Twinkle Johnny Dowd takes on the messy thread of the predecessor. From the opening stand of Execute American Folkore, Again one, the listener is confronted with an electronic pulp and on top of that the familiar, growling parlando, regularly accompanied by the thin vocals of Anne Coogan. With the exception of the title track, Dowd, with some help from Michael Edmondson, only took care of ‘the music’.

He approaches the seventy in the meantime, but his experimental drive is by no means tempered. Well-known singalong tunes from the great American songbook are transformed into hallucinatory sound tapestries with first-class formulas and primitive electronic instrumentation.

They are not exactly the most beautiful sound scenes, usually the traditionals, only recognizable by the familiar text fragments, degenerate into a frightening soundtrack that may not only stimulate puristically oriented listeners to pull the curtains and quickly pull them off. If you persist for a while, you will discover Trouble in Mind . That song passes here on a cumbersome beatbox structure, undoubtedly the most remarkable version of the song that has not only become a classic in jazz and blues environments, which pianist Richard M.Jones composed in the early twenties of last century.

With Red River Valley an older folktune is transformed into a bizarre rocker. It takes a while to discover St James Infarmary Blues or Jon The Revelator in the erratic structures. With the macabre spoken word version of The House Of The Rising Sun and My Darling Clementine that goes float .

Listening to this long player is not an easy task, we suspect that Dowd especially amused himself during the recording sessions. Undoubtedly only suitable for adventurous adepts in a never completed search for curiosities. Musical amateurs who answer that profile will undoubtedly get their money’s worth on the upcoming tour with Melle de Boer.

 – Translation by Google

Feeling Bad Tour @ The Running Horse 1/28

‘My music is like lipstick on a pig’ says Texan troubadour Johnny Dowd ahead of Nottingham gig

‘Old ideas dressed up in new sounds’

Texan musician Johnny Dowd is travelling across European with Melle de Boer on the Going Down the Road Feeling Bad Tour, including Canning Circus pub The Running Horse. Here’s all you need to know about Dowd.

Tell us where you’re from, where you are now and a bit about the journey in between.

I was born in a log cabin in Fort Worth, Texas, a hundred years ago, then moved to Memphis, Tennessee, then to Pauls Valley, Oklahoma, left there when I was 16 and drifted from place to place, settling in Ithaca, New York where I’ve been for the last 30 years.

Your music is… unusual – how would you describe it?

Slightly unusual sounds about right. Old ideas dressed up in new sounds – lipstick on a pig.

When did you know a life in music was for you?

When I was 40 and washing dishes for a living.

How does the songwriting process work for you?

I start with a drum beat and then fill in the blanks.

Where do you get your inspiration from?


Who are you listening to at the moment?

A bootleg recording of Prince at small club in The Hague.

Is there such a thing as a typical day for you?

Yes, and it’s not that interesting to anyone but me.

What have you been getting up to since you were last here?

I’ve recorded three albums and I’m releasing one called Twinkle Twinkle.

What would you like the audience to take away from your shows?

A good time, some laughs and not to feel like an audience.

What can we expect from the gig?

i can’t reveal that at this time— it’s on a need to know basis

Tell us something about yourself the audience might be surprised to hear.

Journey is my favourite band.

Johnny Dowd, The Running Horse, Alfreton Road, Nottingham, Sunday January 28, 7pm to 10pm, with Melle De Boer, £10 in advance from runninghorsenottingham.co.uk or £12.50 on the door.

 – Original Article

Only 5 dates in the UK for our friend Johnny this time ’round ….
and WOOHOOO!!! WE GOT ONE OF ‘EM!!! : £10 tkt or £12.50 doorHis new album ….Execute American Folklore…“Soaked in swirling guitars with extraterrestrial synth sounds throughout Dowd here creates a piece which is on a par with the best of Beck.”
— Americana-uk.com“Imagine if Hank Williams had mutated into Captain Beefheart, acquiring a bunch of primitive electronic equipment along the way, and you’ll get some idea of where Johnny Dowd is at on Execute American Folklore. . . . Gloriously deviant.“
— Andy Gill, The Independent (London)“Sometimes music shouldn’t be easy, and instead should be mysterious, idiosyncratic and the work of a true maverick. So we should welcome the arrival of a new Johnny Dowd album. . . . Never a man to run from the truth, if there was any justice, this guy would be a legend.“
— Acoustic Magazine (UK)

This 14-song album is among Johnny Dowd’s best and, in an aberrant way, most accessible. Opener Unease and Deviance, which sounds like a disco single played at 33, is weirdly danceable, while the rap brag-a-thon Modern Woman is a gleeful sing-along. As well as a beatnik-hillbilly rap, there’s punk-blues too, SFX, synths, cool arrangements, and luckless characters who wouldn’t feel alone at a Trump rally.

 – Facebook Event

Where is Gargon?


Gargon is living on a small farm outside of Liverpool right now. He’d probably make a comeback at some point, but not as a full time touring musician. He’s a little past that.”
                                                            – Johnny Dowd, Smelly Flowerpot interview

Live @ The Mouthhole Fest(er)


3rd Annual
Nashville TN

Bigger/ Bolder/Wider than ever!!!
Please share/invite
Featuring music from:

4:00–Droneroom (Louisville)
4:40–Fusca Stella
5:00–Bright Yung Things
5:20–Chop Chop Chang
6:00–The Strumms
6:40–Austin Hoke
7:00–Horcerer (Knoxville)
7:20–Stand Up Comedy
7:40–Anouk Asunder
8:00–Johnny Dowd (Ithaca)
8:59–Planet Mouthhole Fitness Awards
9:00–Crisswell Collective (Knoxville)
9:30–Cat Casual (Louisville)
10:00–The Chewers
10:30–The Ornaments
12:00–Midnight Movie

Totally Free. BYOB.

Johnny Dowd by The Mouthhole Band

A man named Johnny Dowd had a good idea, so we stole it. To raise money for his next album, living legend
Johnny Dowd offered a reward on a crowdfunding website:
for $1000 he would write a song about you.
The residents of The Mouthhole
Nashville’s weirdest house venue, wanted a Johnny Dowd song about us, but we are poor.
We decided – we should raise crowdfunding
to donate to Johnny Dowd’s crowdfunding and get a song made about The Mouthhole.And what would our offered reward be? We’ll make songs too. If you donate even $1 we will make a song about you.
So we did. You are now holding a collection of rewards. They were recorded quickly and efficiently in order to keep the flow (and there ended up being 36 of them).Each member of The Mouthhole Band rotated instruments for each song. Lyrics, with occasional exception, were written
by committee. We raised approximately $760 dollars. Johnny Dowd made us a song anyway, because he liked our idea that we stole from him.
He named the song “The Mouthhole”.
We named this album “Name Songs“.

Editors note: You can find Johnny’s Mouthhole song if you scroll down to  November 30, 2016 on his website.

More on the Mouthhole

Johnny Dowd supporting My Darling Clementine @The Dock

– HCTF reviews Execute American Folklore


Execute Tour Summed Up


Howdy people.

Just got back from a super fun tour of Europe. The crowds were great. They really opened their hearts (and wallets) to me and the Sex Robots.

I want to thank Mike Edmondson and Anna Coogan. They rocked it every night and did all the hard work behind the scenes (driving, merch sales, getting me out of bed). Also want to thank Mark Lotterman and Park Doing. They did the support on the tour and lit a fire under me every night (and also helped with the practical stuff).

Thanks to Sedate Bookings for a great job booking the tour, to Artist on the Road for supplying the van and equipment, and to Del Day of Ark PR for promo. It’s a pleasure doing business with you guys. And last, but not least, thanks to Kat Dalton, my wife and manager. Without her hard work, there would be no tour or indeed no Johnny Dowd music career.

Below are some of my photos from my instant camera which Kat got for me for the tour.

Johnny courtesy of his website


Live on WBVR.fm 93.5 Nonesuch

On the occasion of Johnny’s  upcoming WVBR Nonesuch appearance, here’s a Barry Marshall-Everitt House of Mercy interview with him from 2015:

You’re welcome, and you can show your gratitude by helping Barry fund his battle with cancer via his GoFundMe site.